Reviews
The Fourth Sister | Cinders
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Hunting Cockroaches | Fortinbras
Gets Drunk | Give Us This Day
Cinders
NEW YORK PUBLIC THEATRE: 1984
“Extremely clever and provocative writing… Set in a
girls’ reform school near Warsaw, Cinders is about what happens
when a documentary director arrives to film the inmates as they perform
a dramatization of the fairy tale. Mr. Glowacki has a keen ability to
mine the dark absurdist humor in the language of terror and to make
elegant Kafkaesque comedy out of his nation’s ongoing nightmare of
repression.”
-Frank Rich, N.Y Times
“A very powerful play.”
-William A. Raidy, Newhouse Newspapers
“Glowacki is a provocative writer. Cinders is a cat and mouse game
as comic as it is scary. John Madden has directed magisterially.”
-John Simon, New York Magazine
“Another major production thanks to Joe Papp. Thoroughly
engrossing and important theatre.”
-Leida Snow, WINS Radio
“Good performances by Christopher Walken, George Guidall and Robin
Gammell. Lucinda Jenney, the Cinderella of ‘Cinders’ is a
touching and lonely figure of resistance in a world where such bravery
is the only hope.”
-Frank Rich, WQXR
ROYAL COURT THEATRE, LONDON 1981
“ ‘Cinders’ must be one of the finest pieces of
ensemble playing in London this year.”
-Paul Schweitzer, The London Times, Jan. 1, 1982
“Allegory for survival under an intolerant authority.”
-David Roper, The Guardian, London, Dec. 24, 1981
WEST COAST PREMIERE:
“Fairy tales always were dark. This production reminds you how
dark.”
-Ray Loyud, Los Angeles Times
“Glowacki’s use of a fairytale as the metaphor for his
lacerating work is ingenious and well contrived. The tone of the play is
as grim as the Grimm brothers’ fantastically bloody tales. However
Glowacki also employs much humor to express his pointed social
criticism. His is not purely a horror story; it is a bitterly funny
satire as well.”
-Kathleen Foley, Drama Logue

NATIONAL THEATRE IN TAPEI, TAIWAN:
“ This Kafkaesque play is deeply human and therefore universal.
Which is why it is understood equally as well in Moscow and London as in
New York, Buenos Ayres and Taipei.”
- China Times
“The situations that Glowacki describes are not that foreign to
the Chinese audience. Good fairies set traps for Cinderella not only in
Warsaw.”
-China Post
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